Addicted to TV and Harry Potter

I’ve been trying to think of a way to respond to this comment, and I just can’t. Everything I want to say just would sound too angry, and I’m not angry. I’m… defeated.

I know you think you’re making a joke. I know you think what you’re saying is funny, and I know you think that the people who are on your level will laugh, and the rest of us will roll our eyes, and nothing will happen. And nothing WILL happen, because this is The A.V. Club, and what makes our comments great is that we have a very, very, very, very open door policy when it comes to what people can say here. We let people make off-topic jokes. We let them complain about how the Game Of Thrones reviews took a while in the Girls comments. We let them pursue their own creative endeavors and whatnot. You won’t be punished or banned or anything of the sort. You shouldn’t be. I’m a staff member here, and I agree completely with your right to imply Girls is bad because Lena Dunham isn’t hot enough. (I know you think you’re saying she’s not funny enough; you’re not, because you’d never say Louie isn’t good because Louis C.K. isn’t conventionally attractive.)

But your comment still really gets under my skin in a way I’m fairly sure you didn’t intend it. And I’m sure if I said that, you’d say, “Whatever. It’s just a joke.” Maybe it’s because I just got done watching a pretty amazing Mad Men episode about how no matter how good a woman is at what she does, some men will always perceive her as an object. Maybe it’s because I’ve known a million amazing women who were far more Lena Dunham-esque than Allison Williams-esque. Maybe it’s because, when you come right down to it, Lena Dunham is a very good looking woman. Maybe it’s because I assume you’re a young-ish kid, 18 or 19 or 20, and I know that if you shut yourself off from women who don’t look TV-perfect, you’re going to be missing out on amazing friends and girlfriends, people who could enrich your life. Maybe it’s because what you said is what an asshole would say, and I don’t like assholes. Maybe it’s because this website’s comments section is full of women—and more and more every day—and too many of you want to treat it like it’s some old boys’ club, where everybody can walk around and make sexist cracks and all the women are just supposed to take it (and you can say whatever you want, but what you said was fucking sexist and disgusting).

But no: Here’s what it is. Every week, I like this show, and I tell you why. Every week, a bunch of commenters like this show and tell you why (or tell me why on Twitter, since so many of them have abandoned this thread to the gibbering assholes). And you don’t have to like what we like. That’s your prerogative as a human being. I’ve even found some of your criticisms persuasive in the past, or, at the least, seen why some of you don’t like the show as much as I do from what you say. That’s good. That’s healthy. That’s dialogue. When you guys say, “Hey, this show has spent too much time fleshing out Hannah and not enough time on the other characters” or “Hey, these people are all so unlikable that I’m not sure I can ever be interested in watching their adventures,” that’s cool. I don’t agree, but I get it. We can have a conversation on that.

But a lot of you—including you, Drew (can I call you Drew?)—don’t even bother with that. You reject the most basic premise of our critical dialogue, which is that a work of art is worth considering and discussing, especially when evident effort has been put into that work of art by someone who wants to express some piece of themselves. Please note this doesn’t mean you have to like it. I really don’t like, say, Whitney, but I’m aware that the people behind it have tried to do something expressive of what they want (within the confines of the network TV sitcom). We owe the art respect. More important than that, we owe the people who make it respect. That doesn’t mean we automatically praise it because somebody made a good effort. It means that when we criticize it, we criticize it like we would want our own stuff to be criticized, even when we think it sucks. Everybody goes in for snark because it’s easy. I know I have more than a few times. But when you just snark, you absolutely shut out whatever’s going on onscreen. You’re not open to it. And that’s no way to approach anything. It’s cynical and lazy. I think it’s self-evident from this that Dunham and her collaborators are putting a lot of thought and time into this show to make it something that I and a lot of your fellow commenters and a lot of my fellow critics think is pretty special. You’re dismissing it as if it were a crayon drawing by a particularly irritating 5-year-old. At least engage the work.

I don’t know what it is about this show that makes people make snide, misogynistic attacks against it. I don’t know what it is about this show that makes people unwilling to extend it even the most basic of critical charities, like accepting its central premises or letting go of, like, the fact that it didn’t depict East Lansing, Michigan, exactly as it exists in real life. Every week, people come in here and harp and harp and harp on minor, minor, minor points and act like they’re delivering the Sermon on the Mount. Again, you don’t have to like this show. But Jesus Christ, if you can’t see past your own anger toward it or hatred of it, why do you keep watching? To make fun of it? Do you really think that’s worth it?

Most of all, though, it just bugs me that you—and yes, I’m sorry to single you out, because there are a ton of people in this very article who are being dicks and acting like it’s the height of hilarity, when if you’re going to be a dick, you’d better be really, really fucking funny—were just an asshole and didn’t seem to care and (even worse) got 12 automatic “likes” for being an asshole who makes the world a worse place to live, just a little bit. Here’s the thing: I don’t know you, but I know you don’t have to be an asshole. You don’t have to say that thing. You don’t have to start this whole conversation. You don’t have to make the women in our midst feel unwelcome if they don’t look like Allison Williams. You don’t have to make me feel disgusted to write for a website that people like you comment on. You don’t have to make the world a worse place. You don’t have to make that joke. It’s not worth it. You can be a bigger man. You can be a better person. And you’re just not.

And that pisses me off.

I love/respect/admire Todd VanDerWerff so much. Here is a rock solid example of why. (via elikapeka)

I love everything about this, including all of the links to other reviews.

AND NOW, BLACK WIDOW META.

gyzym:

So here is a thing I’ve been wanting to talk about since I saw The Avengers and haven’t been able to because I was too busy writing we were emergencies: Natasha Romanov? Is terrified of the Hulk. Let me stop right here and address the comment I least want to receive in response to this statement, and, unfortunately, the comment I believe I am most likely to get: 

  • No she’s not, because that fear would make her less of a badass/Yes she is, and that fear makes her less of a badass/any permutation of the idea that being afraid of things somehow negates badassery: 
    What? No. Human beings are afraid of stuff, the end. It’s part of the human condition. People eat, sleep, breathe, shit, and fear things. Like, universally. Even Chuck Norris, wherever he may roam, has at least one thing that is his mental equivalent of something going bump in the night. Having fear is not a determinate of strength of character; how you handle that fear is. DONE. 

Okay, with that out of the way, let’s first establish how we know Natasha is afraid of the Hulk. There’s the scene in the helicarrier, yeah, definitely, where she tries to keep Bruce from Hulking and then has to deal with him while Hulked; then there’s the scene afterwards, where she is visibly freaking the fuck out until she stands up and goes to beat the brainwashing out of a close friend, and yep, that’s fear, no question. But, you know what, I’m pretty sure any reasonable human not-immortal-like-Thor person would be a little bit like HOLY SHIT THAT WAS TERRIFYING AS FUCK JESUS GOD in the wake of being the target of an indestructible giant green rage monster. So, really, I think the more telling scene in her reaction when Bruce screws with her at the beginning of the movie—the degree to which her reaction is visibly, palpably one of fear is something we’ve never seen from Black Widow. And it’s not because the Hulk has showed up; it’s because there’s been  the suggestion that he might. Or, to be more accurate, it’s because she’s just watched what she thought was Bruce losing control. 

Because that’s what this is about, guys; that’s what it’s always about, with Natasha. Go grab yourselves some artist formerly and currently known as Prince, because this is a story about control. 

Read More

YES

scattergoriesofevil:

“Mewling quim” is misogynist! HOW DARE THAT JOSS WHEDON DISAPPOINT US ALL.

So many Avengers spoilers below. If you haven’t seen The Avengers yet, advance at risk of experiencing River Song’s squareness gun at the hands of your future movie-going time-traveling self. Whoa, future you is pretty…

HOW CAN YOU NOT LOVE THIS MAN!

laughterkey:

monday-friday:

Kids, back in 2012, your aunt Robin wanted to do something more with her life. So she took her love of guns to an organization called S.H.I.E.L.D and fought alongside the Avengers.
Now, your Uncle Barney and I took it pretty hard; she was getting to spend a lot of time with another billionaire playboy, this guy named Tony Stark. Your Uncle Barney almost went crazy when he found out the guy had a metal suit.
“It shoots fireballs, Ted! He looks like a freakin’ storm trooper!”

Then your uncle Barney decided to fight back.


AMAZING

laughterkey:

monday-friday:

Kids, back in 2012, your aunt Robin wanted to do something more with her life. So she took her love of guns to an organization called S.H.I.E.L.D and fought alongside the Avengers.

Now, your Uncle Barney and I took it pretty hard; she was getting to spend a lot of time with another billionaire playboy, this guy named Tony Stark. Your Uncle Barney almost went crazy when he found out the guy had a metal suit.

“It shoots fireballs, Ted! He looks like a freakin’ storm trooper!”

Then your uncle Barney decided to fight back.

AMAZING

pastelchainsaw:theumbrellaseller:hemsworthss:

science bros.

There are no words to describe my feelings about this relationship. But I’m going to try.

First of all, their parallels. Both geniuses, top of their field. Both suffered an accident that physically changed them, forever, and not in a wholesome Spider-Man kind of way. Both try to do what they can to help others despite their own issues; Banner heals people, Tony works on developing clean energy. And both struggle, in their own way, with duality; Tony and Iron Man, Bruce and the Hulk. Two identities, one body. Only difference is Iron Man’s bad side is Tony.

I mentioned somewhere that Tony sees a bit of himself in Banner because they both have a monster inside them that they can’t control, a creature that springs fully formed from the id, the base impulses and the nasty stuff at the back of the mind. Bruce’s is a giant green rage monster. Tony’s trashed a party in Iron Man 2. Banner has a control over his that Tony hasn’t quite achieved yet; don’t think I didn’t notice Tony pouring himself a whiskey when confronting Loki. Tony is envious, fascinated, and most of all, impressed by Bruce’s control.

So he doesn’t walk on eggshells around Bruce like the others, because that’s not what Bruce needs. Tony sees Bruce’s restraint, sees the quiet, brilliant man making self-deprecating jokes in the corner of the room, sees the way people look at him like he’s going to snap any second, and thinks “nope”. Tony does what no-one else aboard that Helicarrier does. He trusts him. He makes jokes and jabs him and teases him and above all, treats him exactly how he would treat anyone else— he has a great regard for Bruce’s brilliance, and tells him so, but he doesn’t try to ignore the Hulk in the room. When he says “wow, you’ve really got a handle on this, haven’t you?” he’s not saying “gosh, it’s incredible you haven’t snapped yet and killed everyone on board” he’s saying “I know you have a handle on this, you wouldn’t be here if you didn’t, so I’m gonna poke you with this sharp object to prove it”. And you can see Bruce relax, and smile, and trust him back.

But then Tony goes even further, and invites Bruce to come to his R&D department. I’m pretty sure the two of them drive off together in Tony’s car at the end of the movie to do just that. And, okay, sure, Bruce is smart, but Tony’s tech is his baby. How many people get invitations to come and see his work? He invites Bruce because he recognises his brilliance, yes, but there’s another reason. He’s inviting Bruce to come down and work with him after this is over. He’s giving Bruce something to do next, a purpose, an alternative to disappearing into the ether to be alone with his monster. Tony knows from experience that being alone with your issues doesn’t end well, so for what’s only the third time in his life he extends the hand of friendship to a guy he’s known barely an hour.

And then, he tells Bruce to let the beast loose. Not just because they need him to fight, but because it will help him. If Bruce can take this thing that he sees as a curse and turn it into a gift, well, that’s going to lift him out of a very dark place. I’m not saying Tony knew about Bruce’s attempted suicide, but I think he had a suspicion that Bruce had been, in his words, “low”. So he encourages Bruce to take all that crap and pain and the Other Guy and use him to help people; after all, that’s what he did.

And it pays off. Nobody— nobody— thinks Bruce is going to turn up for that final battle. You can see the look on Natasha and Steve’s faces when Tony asks if Bruce turned up yet. They’ve counted Bruce out. Guy’s a mess, right? He’s too volatile. Doesn’t play well with others. He could never work as part of a team. No-one thinks he’ll come through when it matters. Except Tony. He has faith in him, and that faith is rewarded. It’s no wonder the Hulk is the one to catch Tony. Tony’s the one who helped let him out. He’s just returning the favor.

SOBBING

BFFs!!!!!

likebluefire:

“But anyway, I’m good now.”

Is it just me or you people also think this is very funny? LOL

“Hello, Zuko here.” - probably my favorite line in the series